http://osxdaily.com/2011/07/25/how-to-add-new-voices-to-mac-os-x-lion/

How to Add New Voices to Mac OS X Lion,  hopefully the new English voices will also work in Read&Write, as can’t listen to Texthelp Tim and Tina anymore.

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GEOFF DIEGO LITHERLAND
http://www.artworkspace.co.uk/geoff-diego-litherland.php

GEOFF DIEGO LITHERLAND

http://www.artworkspace.co.uk/geoff-diego-litherland.php

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(fundamental) Painting

a catalogue of essential painting 

(and a bit of opinion) ”

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Karin Mamma Andersson

Karin Mamma Andersson

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Karin Mamma Andersson 

Karin Mamma Andersson 

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Eleanor Moreton, ‘In the Garden with Gustav’, 2011/12, Oil on canvas100 x 122 cmshttp://www.cerihandprojects.co.uk/?p=423 

Eleanor Moreton, ‘In the Garden with Gustav’, 2011/12, Oil on canvas100 x 122 cms
http://www.cerihandprojects.co.uk/?p=423 

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Marlene Dumas. ‘Snow White and Broken Arm’ compare with Dana Schutz ‘Presentation’ (previous post)

Marlene Dumas. ‘Snow White and Broken Arm’ 
compare with Dana Schutz ‘Presentation’ (previous post)

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Dana SchutzPresentation2005Museum of Modern Art

Dana Schutz
Presentation
2005
Museum of Modern Art

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some images of paintings I showed at recent Painting Surgery session.  commentary on Reclining nude (Frank on the Beach)  from Saatchi online: Imagining herself as the last painter on earth, and Frank as the last subject (and audience), Dana Schutz’s Frank series explores the power relationships of artist/subject/viewer as a witty (if not sadomasochistic) ménage à trois. Dana Schutz paints her protagonist over and over again, like a sad calendar pin-up, ruefully exploited in different poses and settings. In Frank on the Beach, she has him play sex-kitten, sprawled like a second-rate rent boy in the muddy surf at sunset. (http://www.saatchi-gallery.co.uk/artists/dana_schutz.htm)

some images of paintings I showed at recent Painting Surgery session.  commentary on Reclining nude (Frank on the Beach)  from Saatchi online: Imagining herself as the last painter on earth, and Frank as the last subject (and audience), Dana Schutz’s Frank series explores the power relationships of artist/subject/viewer as a witty (if not sadomasochistic) ménage à trois. Dana Schutz paints her protagonist over and over again, like a sad calendar pin-up, ruefully exploited in different poses and settings. In Frank on the Beach, she has him play sex-kitten, sprawled like a second-rate rent boy in the muddy surf at sunset. (http://www.saatchi-gallery.co.uk/artists/dana_schutz.htm)

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